Eye in the Sky (2015)

Directed by Gavin Hood
Written by Guy Hibbert
Starring Helen Mirren, Alan Rickman, Aaron Paul and Barkhad Abdi

In the age of drone warfare, much of the decision making regarding military attacks is done behind closed doors and spread amongst several people on different continents. This film by Gavin Hood opens those doors and lets the audience take a look at what goes on behind them.

While this is not the first film of its kind, "Eye in the Sky" is unique in its own way. It focuses on the moral struggle that not only the drone pilot faces, but also the numerous higher ups that chime in to green light the attack. Although the film takes place in three countries, it has a very claustrophobic feel to it. You are centered in on one small location for each character which only adds to the importance of the subject at hand.

With this all-star cast in which most of them act and react to things that aren't actually there (while filming), it is amazing how believable every performance is. Even though I know Aaron Paul and Helen Mirren are probably looking at blank screens, I believed that they were watching the events unfold before them in real time. That is something that is more difficult than it seems. Just ask Sir Ian McKellen.

One of the things that I loved about the film was Barkhad Abdi's return to the screen. You may remember him in his Oscar Nominated role in "Captain Phillips". When an actor comes out of nowhere and has success like he did, right away. I always worry that it won't go anywhere for them and that it was a fluke. But even in this, he proved to be a decent actor. And while we all know he will be typecast, at least he is making money doing so. And more money than he would driving limousines.

Overall, this film was a shining light in the dark months of film in early 2016. It is better than damn near everything that came out by a long shot, with a few exceptions. What makes this film great is that it creates a discussion or morality, not just between characters and audience members with opposing political beliefs. But for me, an internal dialogue of what I believe to be the just conclusion, if there even is one.

It had so much more going on than it needed to. It could just have easily had a lot of action and yelling and called it a day. But it chose to take the more difficult path and actually argue both sides of the debate logically and realistically. It was an unexpectedly intelligent and open minded film all while bringing up a subject that should be discussed more.

My Rating: 8/10

Whiskey Tango Foxtrot (2016)

Directed by Glenn Ficarra and John Requa
Written by Robert Carlock, based on the book "The Taliban Shuffle: Strange Days in Afghanistan and Pakistan" by Kim Barker
Starring Tina Fey, Margot Robbie, Martin Freeman and Christopher Abbott

Feeling trapped by her mundane desk journalism job, Kim Baker (changed for some reason) makes a decision to find more adventure in her life by taking a position as a war journalist in Afghanistan.

On the surface, due to a misleading advertisement, this would appear to be just another situational comedy. When I first viewed the trailer, I perceived it as one of those standard comedies that takes a slightly interesting setting and plot and inserts sex and drug jokes in an attempt to seek tickets, but overall not accomplish much as a film. Fortunately for this film, it was surprisingly more delicate than that.

From the get-go, it is apparent what kind of film this will be. With an opening scene showing how hectic her life in Afghanistan would be in just three years, the directors then cut to the chronological beginning of the protagonists story as an incredible example of juxtaposition. Tina Fey masterfully captures the essence of her character and puts it on display right away.

I was quite surprised with how unfunny this movie was. But I was even more surprised that I didn't mind. It was more complex and gratifying than I could have predicted and kept me engaged throughout.

With several themes, including the morality of journalism, the dangers of the addiction to conflict and moving forward in your life no matter what happens, it is safe to say this is the most unexpected important film in this young year.

Much of my opinion of this film comes from expecting very little from it. Had I gone in expecting greatness, I might have a completely different opinion. But that's not to say it's not a good movie. It's a hell of a lot better than I expected it to be.

My Rating: 7/10

Charlie Wilson's War (2007)

Directed by Mike Nichols
Written by Aaron Sorkin, based on the book by George Crile
Starring Tom Hanks, Julia Roberts, Philip Seymour Hoffman and Amy Adams

A drama based on a Texas congressman Charlie Wilson's covert dealings in Afghanistan, where his efforts to assist rebels in their war with the Soviets have some unforeseen and long-reaching effects.

The question of whether or not Charlie Wilson was a hero in real life is still up in the air. But we're not talking about real life here. We're talking about a movie. And regardless of how things happened in real life, in the film for all intents and purposes he is. And it is a brilliant depiction of the American political system and their views on helping other countries during war contrasted to their views on helping during reconstruction.

Tom Hanks shines as the foul mouthed, womanizing congressman who becomes the unlikeliest of diplomats in a covert operation. As usual, his comedic timing and charm are on point as he makes even the dirtiest of dirt balls likable.

With a Academy Award nomination for best supporting actor, Phillip Seymour Hoffman kills it as "the Zen Master" CIA agent that Charlie Wilson works with. It is a further example of the talent that was lost far too soon.

While, I guess you could technically call this film a "war movie", it is more a "behind the scenes" of a war, taking an in depth and interesting look into the politics that come with aiding another country fight. With amazing writing from the incomparable Aaron Sorkin, and outstanding performances by an amazing cast, "Charlie Wilson's War" is as entertaining as a movie where people just talk can get… You can take that however you like. But I personally enjoyed it.

My Rating: 7/10

The Water Diviner (2014)

Directed by Russell Crowe
Written by Andrew Knight and Andrew Anastasios
Starring Russell Crowe, Olga Kurylenko, Yilmaz Erdogan and Jai Courtney

An Australian man travels to Turkey after World War I to search for his  three sons who went missing during the Battle of Gallipoli.

In his feature length, narrative film directorial debut, Russell Crowe goes all in with this ambitious, large scale story. The passion behind this project is easily seen through every scene and is actually rather informative on the topic of World War I and the battles between Australian and Turkish (or Ottoman) soldiers.

Though the main storyline of a father searching for his sons is captivating enough, the writers decided to propel the story forward with the inclusion of a romantic interest. Despite their best efforts, the attempt to raise the stakes with the addition of a woman fell short and only proved to be a slow moving distraction and a campy side story.

The film was like a roller coaster of quality. It started off extremely strong, then fell to into dullness. The pattern repeated throughout, unfortunately ending with a boring, eye-roller of a scene. It was as though Russell Crowe and the writer's wanted to add too much story that was unnecessary and negated the emotional impact of prior sequences.

For his first film as a director, Russell Crowe could have done much worse. And his ambition will prove to be an important asset with his later films. As much as I like him as an actor, I feel he should stay out of his own movies or at the very least take a smaller role. I would imagine wearing two hats only hinders his potential.

My Rating: 6.5/10

The Last of the Mohicans (1992)

Directed by Michael Mann
Written by Michael Mann and Christopher Crowe, adapted from the 1936 Philip Dunne screenplay by John L. Balderston, Paul Perez and Daniel Moore, based on the novel by John Fenimore Cooper
Starring Daniel Day-Lewis, Madeleine Stowe, Russell Means and Eric Schweig

When rugged frontiersman Hawkeye saves the Munro sisters - two newly arrived English settlers - from a Huron ambush, he and his adoptive father and brother end up in the midst of a battle between the British and the French for control of the American colonies.

Unequivocally epic and with an impressively large scale, this film does a great job at creating the world of the American frontier in 1757. It is believable right off the bat with the rural setting and the beautiful wilderness that the characters trek through.

Though it is expected for Daniel Day-Lewis to wow with his performance in no matter what movie he is in, I regret to say this is his least impressive performance that I've seen to date. That's not to say that he is bad. And I am not entirely convinced that it is his fault. The character seemed a bit dry and left much to be desired.

The story and writing provided us with many melodramatic moments you would expect to see only in a soap opera. But it felt more like a directing and editing problem than it did the performances of the actors involved.

Director Michael Mann has similar problems with most of his films. At times it feels he cares too much about the imagery and the immersive scale of the setting than he does the performances, which ultimately hurts the overall quality of the project.

Though the performances really worked against the enveloping cinematography, it is irrefutable that this is a good movie. Not as great as I would have hoped it would be. But it is certainly an impressive movie with many positive qualities. There is a reason many consider this a classic.

My Rating: 7/10

The Devil's Backbone (2001)

Directed by Guillermo del Toro
Written by Guillermo del Toro, Antonio Trashorras and Mavid Muñoz
Starring Fernando Tielve, Íñigo Garcés, Federico Luppi and Eduardo Noriega

After Carlos, a 12-year-old whose father has died in the Spanish Civil War, arrives at an ominous boy's orphanage, he discovers the school is haunted and has many dark secrets that he must uncover. Mainly the mystery of "the one who sighs", the ghost of a little boy who wanders the orphanage.

There are truly no horror films like those of Guillermo del Toro. He has such a way with storytelling, that he does not need jump scares and gore to keep you terrified. He does so with a subtlety and grace of the building tension, until the pot boils over.

Rather than having a monster or ghost the source of fear in his films, he uses them as the victims to the much more real villain of human cruelty. It is certainly a privilege to watch his stories unfold and this is no exception.

Being one of his earlier pictures, "The Devil's Backbone" fells as though it set the course for his career. It also becomes apparent that his style has not changed, not that it needs to. The themes of the innocence of children and their first experience with death has been prevalent throughout his career, and this is no different. It is one of the thing that makes him unique. 

He does not present death as something you should be afraid of. He presents it as the sad, inevitable finale of life that we must all accept. He finds a way to find the beauty and humanity of pain and present it with a sense of calm and solace. He continues to show why he is one of the more unique directors out there.

My Rating: 7/10

'71 (2014)

Directed by Yann Demange
Written by Greggory Burke

Starring Jack O'Connell, Sam Reid, Paul Anderson and Sean Harris
A young and disoriented British Soldier is accidentally abandoned by his unit following a riot on the deadly streets of Belfast, Northern Ireland, 1971.

I don't know much about what happened in Belfast in the early 70s. Pretty much my extent of knowledge is that it was a bitter hatred and violence between Protestants and Catholics in the area and while it's not nearly as bad as it once was, the violence still occurs occasionally today. But this film really peaked my interest in the subject.

As all "behind enemy lines" stories go, Gary Hook must safely find his way back to his barracks without being detected. But this shows an entirely different side. While similar movies have a clear protagonist group and antagonist group, you can't really trust anyone throughout it's duration. So many unexpected things happen that you rarely feel at ease for the protagonist. It always feels as if he's in danger.

It is an intense, heart pounding story that grabs you at the very beginning and doesn't let go until the credits roll. Even when there was a lull in the action, I couldn't help but feel that something was afoot. It is a riveting thriller that explodes off the screen keeping you in a state of shock and bewilderment that something like this happened between adjacent neighborhoods.

My Rating: 7.5/10

Micmacs (2009)

Directed by Jean-Pierre Jeunet
Written by Jean-Pierre Jeunet and Guillaume Laurant
Starring Dany Boon, André Dussollier, Yolande Moreau and Dominique Pinon

A man who lost everything after who suffered a brain injury from a stray bullet that hit him in the head is given a new life by a group of eccentrics who live in the junk yard. Together, they help him devise a plan to seek revenge on the weapons manufacturers who made the bullet as well as the landmine that killed his father when he was a child.

A not-so-subtle criticism of the weapons dealing industry, this film is a humorous and beautiful portrayal of how wars and violence can affect the lives of anyone. The characters, all of whom have had either emotional or physical scarring from some sort of weapon, create this brilliant plan to bring down two arms manufacturers without violence. It is definitely a revenge film unlike no other.

It kind of felt like "The Borrowers" but for adults. The way they would build things to fit their needs and would utilize the most random parts for their amusement, I cannot think of another film to compare it too. It is just so outlandish that I feel Tim Burton would even be impressed by it.

I want my own personal orchestra to follow me around!

"Micmacs" is a rare film that has strong political tones that are highlighted by the humorous way the story is told through the film makers. It's not often that a film will make a point without shoving it down your throat for the entire running time of the movie. But this one achieves in taking a stand without having you roll your eyes.

My Rating: 9/10

Little Big Soldier (2010)

Directed by Sheng Ding
Written by Jackie Chan
Starring Jackie Chan, Leehom Wang, Sung-joo Yung and Peng Lin

In ancient China, an old soldier takes a young General of an enemy state captive in order to collect the bounty. On their Journey back to Liang, the two discuss war, peace and begin to form an unexpected bond.

As expected with Jackie Chan, this is filled with comedic relief and great fighting sequences. Chan continues to prove himself as a modern day Charlie Chaplin with his physical comedy. It is more apparent in this film than many others of his. In this movie in particular, he also reminds me of Danny Kaye in "The Court Jester". 

The story is rather generic and doesn't bring much to the table in the form of creativity. And it is certainly much darker than Chan's other films. The themes of war, especially during the Qin dynasty, provide for a bleak backdrop. However, his character's positive outlook and philosophies, as well as comedy make this light enough to laugh at.

Bear attacks are always hilarious.

One of the most impressive things about this movie is Chan's dramatic performance. It is unlike any other role I have seen him in. His character is deep and thoughtful and at times, emotional. It's a breath of fresh air from his other characters, which at times can blur together.

As usual, with Chinese cinema, the cinematography is top notch. It is action packed, funny and thoughtful. While it most certainly isn't a phenomenal movie, it is definitely a fun ride. I would recommend this to any fan of Kung-Fu movies or just action movies in general.

My Rating: 6/10