Love & Mercy (2014)

Directed by Bill Pohlad
Written by Oren Moverman and Michael A. Lerner, based on the life of Brian Wilson
Starring John Cusack, Paul Dano, Elizabeth Banks and Paul Giamatti

In the 1960s, Beach Boys leader Brian Wilson struggles with emerging psychosis as he attempts to craft his avant-garde pop masterpiece. In the 1980s, he is a broken, confused man under the 24-hour watch of shady therapist Dr. Eugene Landy.

A film about a person I was unaware of from a band I don't particularly care for, yet somehow found myself deeply invested in his story. Being director Bill Pohlad's first film in the captain's chair since 1990, there was some obvious rust that he had to shake off, but did so all the while creating a heart wrenching story of a man trapped by his own illness.

With valiant performances from the entire cast, most notably Paul Dano and John Cusack, an unexpected problem arose. John Cusack is so impressive as the aging rock star that he distracts from the rest of the cast.

There was one scene in particular that was mostly shot over his shoulder to Elizabeth Banks. His reflection is scene out of focus just behind her, but I couldn't take my eyes off of his blurry face. His performance was so powerful that I was drawn to it, even when he was barely on screen.

Another thing that was obvious was Paul Dano's voice. He matched Brian Wilson's voice so well that I couldn't tell which scenes were Paul singing and which were the original recording.

The film, overall was decent. I had some issues with the editing, but most of you wouldn't even notice it if I pointed it out. The acting, of course was top notch and the story was beautifully tragic. I would definitely not call this one of the top ten movies of the year, but it is worth the watch.

My Rating: 7/10

The History of Future Folk (2012)

Directed by John Mitchell and Jeremy Kipp Walker
Written by John Mitchell
Starring Nils d'Alaire, Jay Klaitz, Julie Ann Emery, April L. Hernandez and Dee Snider (Yup)

The possibly exaggerated origin story of the real life alien bluegrass band, Future Folk, that has been playing for NYC audiences for the better part of a decade.

The history of a relatively popular comedy duo from New York City, "The History of Future Folk" is definitely not short on imagination. A story about aliens sent to destroy Earth only to fall in love with music, which their planet did not have.

The music the duo creates is catchy and topped off with clever lyrics and catchy melodies. The idea of a couple of aliens adapting to Earth culture provides humorous imagery, particularly when they wander around a Cost-Co like store in amazement.

The film itself is nothing special. The acting of the protagonist is bland to the point where I can't tell if he's just bad at acting, or he feels that a hardened General from the plant Hondo would have a lack of emotion comparable to someone who has had too many Botox injections.

However, the creativity of this film, and the devotion of creating a back story to their musical duo was enough to make this film interesting. And regardless of it's catchy songs, it is an entertaining movie.

My Rating: 6/10

Danny Collins (2015)

Written and Directed by Dan Fogelman
Starring Al Pacino, Bobby Cannavale, Annette Bening and Jennifer Garner

An aging rock star decides to change his life when he discovers a 40-year-old letter written to him by John Lennon.

A film very loosely inspired by an actual event, it is a heart warming story of a man trying to right the wrongs he has committed to those he should have looked out for. With surprisingly funny performances from everyone involved, it proved all of my skepticism wrong very quickly.

Along with the humor, another thing I did not expect to come from this movie was the human aspect. In most movies involving rich celebrities trying to redeem themselves, the characters in question seem disillusioned and rude before they seek to better themselves. In "Danny Collins", the titular character is kind to strangers, friendly and never acts like a prima donna.

This is another one of those "filler" movies. It's not a film for the history books. But it's not one to simply look over. It's a nice, entertaining movie to watch in between the movies you are excited for. It's a refreshing, satisfying movie that is definitely worth a watch.

My Rating 6.8/10

Pitch Perfect (2012)

Directed by Jason Moore
Written by Kay Cannon based on the book by Mickey Rapkin
Starring Anna Kendrick, Brittany Snow, Rebel Wilson and Skylar Astin

Beca, a reclusive freshman at Barden University with dreams of becoming a music producer, is cajoled into joining The Bellas, her school’s all-girls singing group. The Bellas take on their male rivals in a campus competition.

I have to admit, from the time this movie came out up until this very week, I avoided this movie like the plague. For me, the whole competitive A Cappella, “Glee” inspired fad is so tired. Everyone and their mothers and their mother’s mothers have attempted an A Cappella based show or movie. So naturally, I was skeptical to watch it. But I did. And it wasn’t as bad as I imagined. However, that’s the highest compliment I can give it.

I am nowhere near the key demographic for this movie, so please take everything I say about it with a grain of salt. It wasn’t good. It wasn’t terrible. It was…OK. Many of the jokes were poorly executed or felt incredibly forced.

However, I will say that the jokes that did land for me, landed very well and had me laughing harder than I ever thought I would watching this movie. In particular, everything Lilly Okanakamura said was on point.

All in all, I’m glad I watched it. I may not have loved it quite as much as some people I know, but it was an enjoyable movie and now I have some idea of what to expect from the sequel. It had great songs and fun characters who all had unique personalities, which is definitely not something I expected. It just goes to show you that sometimes a movie can take you by surprise.

My Rating: 6.5/10

Grand Piano (2013)

Directed by Eugenio Mira
Written by Damien Chazelle
Starring Elijah Wood, John Cusack, Kerry Bishé and Alex Winter

When a disgraced pianist attempts to make a comeback at the memorial concert for his teacher and mentor, he receives a note in his sheet music-- "Play one wrong note and you die!".

Elijah Wood's career after "The Lord of the Rings" has been a strange one. Having been blackballed by Hollywood because of his famous character, he unfortunately hasn't had many options. But I feel he does alright, all things considered. He's become the go-to guy for psychological thrillers too different to get backed by a major studio. With films like "Maniac", "Open Windows", this and the TV series "Wilfred", it's as if he's had to start his career over completely. But it could be worse.

This movie has a familiar concept. Much like "Photo Booth", it's just another man-becomes-hostage-in-public story. It is interesting enough, but nothing really sticks out as a selling point. Some scenes are intense while others make you wonder you are supposed to feel. And there are many plot holes that in my mind are so hard to miss that I find it hard to believe the writer (Academy Award Nominee, Damien Chazelle) didn't notice.

I also find it hard to believe that Elijah Wood is his generations

greatest pianist, yet walked away from his career for one slip up.

Is this a bad movie? No. But it definitely is not good. As the countless majority of movies are, it's just extremely mediocre. Just another movie to watch to pass the time. If one thing does stand out from this movie, it is the beautifully unique cinematography. But it takes more than pretty pictures to make a great movie.

My Rating: 5.6/10

Rudderless (2014)

Directed by William H. Macy
Written by Casey Twenter, Jeff Robinson and William H. Macy
Starring Billy Crudup, Anton Yelchin, Felicity Huffman and Laurence Fishburne

A grieving father in a downward spiral stumbles across a box of his recently deceased son' demo tapes and lyrics. Shocked by the discovery of his unknown talent, he forms a band in the hop of finding some catharsis.

I'm really struggling to find a way to write this review that doesn't contain any spoilers. There is so much I want to say about this film that needs context to explain, but said context would involve me giving away so much of the emotional impact of this movie. So if you watch this movie, please please PLEASE let me know so we can discuss it.

This is William H Macy's feature film directorial debut and he hit a home run. This movie has everything that makes a great movie. The acting, the writing and the social context all make for a intensely emotional film on both ends of the spectrum. Not only that, but it is topped off with incredible original songs that rival the world's most famous musician's and is actually performed by the cast!

There is still so much I want to tell you about, but I know it will only ruin you experience watching it if I do. Do yourself a favor. Watch it and come talk to me so we can discuss it! I'm dead serious! Since I can't say what I want to about this movie, I'll just leave you with one of the amazing songs in it.

My Rating: 9/10

Love is Strange (2014)

Directed by Ira Sachs
Written by Ira Sachs and Mauricio Zacharias
Starring John Lithgow, Alfred Molina, Marisa Tomei and Darren E. Burrows

Ben and George get married after years of being together without the law being on their side. After their honeymoon, George is fired from his teaching post, forcing them to stay with friends separately while they sell their place and look for cheaper housing-- a situation that weighs heavily on all involved.

An eloquent study of how love can conquer the most arduous situations, this film has the added element of a homosexual couple and their tribulations soon after the ban on same-sex marriage in New York was lifted. Not only is it a film about romantic love, but also familiar love.

John Lithgow and Alfred Molina are great as the couple who experiences all of these trials. Their chemistry together seems genuine as if they had been together for all of the decades their characters claim.

Set to the music of classical composers, this film seemed as if it were orchestrated specifically to Chopin and Beethoven in a sort of mash-up symphony. The music gave an added sense of peace and at times, sadness that classical composers have been known for. It is rare that the music influence stands out so much in a positive and non-distracting way. It truly added to the film New York setting.

I wouldn't call this movie amazing, but it was certainly touching and entertaining. Film's such as this aren't trying to change your life are change the way you see movies. They just try to tell a nice, clean story that you can enjoy. And this movie succeeded at that.

My Rating: 6.5/10

Close Encounters of the Third Kind (1977)

Written and Directed by Steven Spielberg
Starring Richard Dreyfus, Melinda Dillon, François Truffaut and Bob Balaban

After an encounter with U.F.O.s, a line worker feels undeniably drawn to an isolated area of the wilderness where something spectacular is about to happen.

I know what you're thinking. "How have you not seen this, Mike?!" Don't be that guy. No one likes that guy. There are over a million movies in this world, and I have seen a great deal that you haven't. So cut me some slack, Jack!

Even 38 years later, this movie is still impressive, if not more so. The main thing I love about movies before CGI is the ingenuity people had to go through to get the shot they wanted. That was and is the brilliance of great film makers. These days it's easy to say "we'll use CGI" instead of creating a practical effect and that, to me is boring.

I think the main thing I loved about this film was just how different it is from all other alien contact movies. In an industry that shoves the fear of alien abductions down your throat at every chance they get, this was a movie that approached the idea of Extra-terrestrials not with fear, but with scientific curiosity. When every one could have turned and ran the other way, they all stood dumbfounded and intrigued.

…Dumbfounded…

I have never seen an alien encounter movie like this. They didn't even have the government try to capture them using excessive force. Just a little force. Nothing serious. It is truly unique and leaves you wanting to learn more about the visitors. Which is what I'm sure Spielberg was going for.

My Rating: 7/10

The Broken Circle Breakdown (2012)

Directed by Felix van Groeningen
Written by Carl Joos and Felix van Groeningen, based on the play by Johan Heldenberg and Mieke Dobbels with collaboration from Charolette Vandermeersch
Starring Johan Heldenberg, Veerle Baetens, Nell Cattrysse and Geert van Rampelberg

A religiously devout tattoo artist and an atheist banjo player obsessed with bluegrass music form an unlikely romance and instantly fall in love despite their differences. Years later, their daughter becomes ill, putting new strains on their relationship.

A heartbreaking story about the stresses of having a child with cancer, this film explores that terribly common scenario with a couple who have two separate views of the afterlife. In a brutally honest, yet with a hint of reverence, the filmmakers tackle such controversial topics as religion, stem cell research and the separation of church and state.

The two leading actors give painfully sincere performances, depicting the parents who may lose their only child. And the fact that the two performed the music throughout only adds to the impressive feat. The way the director uses delicately chosen songs to push the plot forward, while also giving more insight to where the characters are at emotionally, is truly a task that should not be overlooked. It is impeccable how well these songs say so much, yet don't bring the flow of the film to a screeching halt.

And the songs are pretty damn good, too.

One of the most unexpected thing in this movie is the performance of the little girl who plays their daughter. It is rare that a young actress such as herself can be convincing in their performances. I found myself thinking that they had hired one of their daughters to play her, but that was not the case. She just seemed so natural with them.

While the story is a heavy one and it may be hard to watch at times, "The Broken Circle Breakdown" is one of the more powerful films I have seen. And although it has only been about three years since it's release, I can tell that it is a timeless story that people will be able to connect with decades from now.

My Rating: 8/10

Jersey Boys (2014)

Directed by Clint Eastwood
Written by Marshall Brickman and Rick Elice
Starring John Lloyd Young, Vincent Piazza, Michael Lomenda and Erich Bergen

Based on the hit Broadway musical, the story of four young men from the wrong side of the tracks in New Jersey who came together to form the iconic 1960s music group, The Four Seasons.

Filled with the great music that made The Four Seasons a musical group that would have a Broadway musical and subsequent movie made about them, the performances are great. They give the entire movie the feel of the 50s and 60s creating a a sort of time capsule, as if it were just opened up after 50 years.

But musical performances aside, the film felt uninspired. I wonder if Clint Eastwood was too distracted by his upcoming "American Sniper" project to give this one his entire focus. And it is apparent that it's missing the dedication that even some of the worst films have. Like the musical, it feels like a jukebox movie. 

And I don't mean that in the sense that they use classic songs. I mean that it comes off as someone had just put a quarter in a jukebox and walked away. The material is there, and it's good enough to play in the background. But no one is dancing to it. It's just there while you're sitting at the diner bar and eating your pancakes.

"Pancakes? What the hell is he talking about"

The fact that "American Sniper" came out close to six months after this movie, I'm convinced that Clint Eastwood wasn't totally invested in this movie. And it shows.

5/10

Alan Partridge (2013)

Directed by Declan Lowney
Written by Peter Baynham, Steve Coogan, Neil Gibbons, Rob Gibbons, Armando Iannucci and Patrick Marber
Starring Steve Coogan, Colm Meaney, Felicity Montagu and Nigel Lindsay

When famous yet aging radio DJ Alan Partridge's station is taken over by a new media conglomerate, they begin to make cuts and bring in new, younger DJs. But when a fellow senior DJ gets sacked (British speak for "gets fired"), he holds the station hostage in an attempt to regain his job.

That trailer does not do it justice. Filled with clever one-liners and filled with superb comedic timing that only the British seem to be able to get a hang of. Steven Coogan is fantastic as a man who cares about fame above all things, including his life in a dangerous situation.

Much like a less obnoxious, British Ron Burgundy (although Partridge came first), Alan Partridge is a down played character that is each to believe actually exists in the real world. His narcissistic personality somehow makes him likable. And his fear of everything remotely dangerous becomes a recurring joke, regardless of him ignoring danger for the sake of fame. Narcissism trumps fear every time.

I find it hard to write about comedic movies. The plot is often just a cause for more jokes to be told in them and this is no different. Regardless it is a great movie that reminds me of the high brow "Airheads".

My Rating: 7/10